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Search results Check these Brands (Harmony-made guitars) for more results : 443 Harmony models found - first 50 below H1 - Copper "Lapsteel" (1962-1971) - Lapsteel - Copper
Modern "Steel" or Hawaiian electric guitar - copper bronze lacquer. See also later model H601 with a different tailpiece and no pickup cover.
H1000 (1938) - Acoustic flatop - Sunburst
Floral design stenciled around soundhole. (Compare to H1021).
H1000B (1935-1937) - Acoustic flatop - Mahogany shaded
H1000B is the "ebonized pin bridge" version for the H1000TS. All birch, slotted head.
H1000TS (1935) - Acoustic flatop - Mahogany shaded
"Best minimum priced" guitar in the '35 catalog. All birch, slotted head. H1000TS 3/4 is a 3/4 version. H1010TS is the natural finish version.
H1001TL (1940) - Acoustic flatop
Some have the "Idento" tailpiece (place for your name on a rectangular card)
H1002 - Caribbean (1956) - Acoustic flatop - Reef Coral / white
H1003 - Caribbean (1956) - Acoustic flatop - Copper / Sahara yellow
H1004TL (1940) - Acoustic flatop
"Idento" tailpiece (place for your name on a rectangular card)
H1005 - Caribbean (1956) - Acoustic flatop - Tangerine / white
H1006 - Caribbean (1955) - Acoustic flatop - Fire Bronze and Silver
H1007 - Caribbean (1955) - Acoustic flatop - Spring Green
H1008 - Caribbean (1955) - Acoustic flatop - Chocolate Brown and Taupe
H1009TL (1940) - Acoustic flatop - Sunburst
The precise model number in the catalog is F1009TL. Sunburst with horizontal faux-flame. All birch. "Idento" tailpiece (place for your name on a rectangular card)
H1010TS (1935) - Acoustic flatop - Natural
All birch, natural finish version of the H1000TS
H1015B (1940) - Acoustic flatop
All birch, open slotted headsyock, pin type bridge
H1020TS (1935) - Acoustic flatop - Dark sunburst
All birch, crystaline (faux perloid) fingerboard. H1021TS is the same mdel with a large added motif around soundhole.
H1021TS - H1021TL (1934-1940) - Acoustic flatop - Dark brown shaded
First version (1935) is numbered H1021-TS and has the triple dots markes on the fret board. Late version (1940) is H1021TL and has 4 single dots. Crystaline fingerboard (faux perloid) and large motif around soundhole. H1021B is the same with pin bridge. H1020TS is the same without the large motif around soundhole.
H1023 - Standard size birch (1940) - Acoustic flatop
Standard size and birch construction. Horizontal faux-flame. Trapeze embossed tailpiece. Could be compared to later very common H929 stella models.
H1025 - Standard size birch (1940) - Acoustic flatop
Standard size and birch construction.Vertical faux-flame. Trapeze embossed tailpiece. H1025 3/4 is the 3/4 size version. Could be compared to later very common H929 Stella models.
H1026TZ (1935-1939) - Acoustic flatop - Dark sunburst
All birch, crystaline (faux perloid) fingerboard. Later models (1939) have a gold G clef on the head.
H1028TZ (1935) - Acoustic flatop - Dark sunburst
All birch, green crystaline (faux perloid) fingerboard, red band around soundhole
H102BD - Unicorn (1931) - Acoustic flatop - Shaded koa
All birch, imitation shaded koa wood. "Unicorn" design on top
H1030T - Tenor - Acoustic flatop - Sunburst stenciled
Wartime tenor model, based on the H1030 6 string version
H1030TL (1940) - Acoustic flatop - Sunburst, faux pickguard
Standard size, all birch construction. Faux gardplate stenciled in white. All birch. "Idento" tailpiece (place for your name on a rectangular card)
H1030TZ (1935) - Acoustic flatop - Dark sunburst
Standard size, all birch construction. Faux gardplate stenciled in white. Crystaline (faux perloid) fretboard. All birch.
H1031 - Standard size birch (1940) - Acoustic flatop
Standard size and birch construction. Horizontal faux-flame. Slotted head.
H1033B (1935) - Acoustic flatop - Dark sunburst
Standard size. All birch. Large black pickguard. H1033TS is the trapeze tailpiece version.
H1033TS (1935) - Acoustic flatop - Dark sunburst
Standard size. All birch. Large black pickguard. Nicel trapeze tailpiece. H1033B is the pin bridge version.
H1035 - Hawaiian Slide guitar (1939-1944) - Lapsteel - Sunburst
Raised nut and bridge, square neck
H1046 (1939) - Acoustic flatop
All birch construction. H912TL was a (later ?) similar guitar with the "musical note" stenciled faux puickguard.
H104B - Hawaiian (1931) - Acoustic flatop - Sunburst
All birch, Designed for Hawaiian playing. White bindings on top. Based on H1104 1/2 BD but palm trees ornament omitted.
H1051 - Standard size birch (1940) - Acoustic flatop
Standard size, all birch construction. Faux gardplate stenciled in white, crystaline fingerboard. All birch. Trapeze embossed tailpiece
H1054C (1935) - Acoustic flatop - Sunburst and flowers
All birch - Floral stencil on the lower bout, gold and black decoration at soundhole. Black pickguard.
H1054TG (1936) - Acoustic flatop - Sunburst and flowers
Tenor companion version for the H1054C. 23 inch scale.
H1056 - Round-up (1940) - Acoustic flatop - Opalescent Gray
Stenciled with cowboy on horseback roing cattle. Cactus and Sunrise. Same scene used on guitars named "Lariat" or "Stampede"
H1057 - Singing Cowboys (1951-1963) - Acoustic flatop
Stenciled with "Western chuck-wagon scene". Based on the 1938 Supertone model S237. This model disappears fom Harmony catalogs in 1964, but later model exists, with an updated design (more modern cowboy hats, drawers in the wagon). A recent made in China reissue can be found (all black, white stencil).
H1058 - Mountain cowboy (1947) - Acoustic flatop - Stenciled on natural wood
Stenciled mountain scene with a couple, the guy playing guitar. This H1058 was branded Bob West and distributed by the "Bob West Guitar co." in Chicago, as evidenced in a 1947 catalog. (it looks like the only model specifically branded "Bob West", other guitars in same catalog wears the Harmony brand).
H1060 (1942-1943) - Acoustic archtop
It looks like an early cousin of the all birch Archtone (H1215) family.
H1066 - Halekala (1935) - Acoustic flatop - Marine blue Stenciled
Blue and gold with "Halekala" hawaiian scene stenciled on lower bout. Perloid fingerboard, slotted head.
H1070 - Wagon wheels (1940-1954) - Acoustic flatop - Reddish brown with stenciled scene
Different models stenciled with "Western chuck-wagon scene" The version sold by Sears has "Pioneer Days" title, the one sold by Wards has no title, and the Harmony version has "Wagon Wheels" title… The Canadian sold through Simpson-Sears was "Wagon Train"
H1074 - Hawaiian moon (1935-1940) - Acoustic flatop - Black with stencil in green and silver
Hawaiian stenciled design (black/green)
H1075B - Hawaiian (1931) - Acoustic flatop - Stenciled
All birch, Designed for Hawaiian playing.Tropical scene, decoraded soundhole and back stripe.
H1077 - Southern Seas (1935-1940) - Acoustic flatop - stenciled
1940 catalog says redish mahogany stain but one model exists in a dark green transparent finish. Contrasting stencil. Slotted head. All birch construction.
H1079 - Hawaiian scene (1935-1940) - Acoustic flatop - Shaded with stencil in green and pale yellow
Hawaiian stenciled design
H1083TW - Panelled faux woodgrain (1940) - Acoustic flatop
Trapeze mahogany grained on front, from neck to tailpiece. Fretboard with alternate dark and light finish. Trapeze embossed tailpiece - All birch construction
H1084TW - Panelled faux woodgrain (1940) - Acoustic flatop
panelled design, faux grain of flamed and curly maple. Fretboard with alternate dark and light finish. Trapeze embossed tailpiece - All birch construction
H1087C (1935) - Acoustic flatop - Sunburst
Concert size, spruce top, 12 frets neck,slotted head.Black pickguard.
H1088TW - Panelled faux woodgrain (1940) - Acoustic flatop
panelled design, "drape" panel on top. Trapeze embossed tailpiece - All birch construction
H1089TW - Panelled faux woodgrain (1940) - Acoustic flatop
panelled design, faux grain giving the effect of matched quartered walnut. Ebonized fretboard. Trapeze embossed tailpiece - All birch construction
H1090T - Hawaiian (1931) - Acoustic flatop - Dark walnut stain
All birch, Minimum priced guitar "especially adapted for school or beginners on hawaiian guitar". Metal tailpiece. See also H1091T
439 models found in other brands - first 50 below Marwin 1 - One distributed by Tonk Brothers - Acoustic archtop - Sunburst
Grand Auditorium size, all birch or maple body, checkered bindings. Stamped H1336
Harmony "est. 1892" 1016 - Buck Owens reissue (2000 (approx)) - Acoustic flatop - Red, white, blue
Reissue in years 2000 of the "Buck Owens" model sold by Sears & Roebucjk catalog in 1970 (See model 3219 under the Silvertone brand). Apart from the color scheme, this reissue is very different, and doesn't wear the Buck Owens name on the head, where you can read "Harmony Sovereign", without the usual "est 1892" specific to asian made guitar. This was proposed by the "MBT International" company.
Vibratone 1105 - Acoustic flatop
Birch body, "idento" tailpiece
SR Sears & Roebuck 1202 - Flat top (standard size) distributed by Sears & Roebuck (1973) - Acoustic flatop - Sunburst
One of the latest "Stella style" standard size model, finished in 3 tone sunburst, with adjustable bridge.
SR Sears & Roebuck 1209 - Flat top (standard size) distributed by Sears & Roebuck (1970-1975) - Acoustic flatop - Natural
One of the last incarnation of the "Stella" family of standard-sized birch guitars. This one has a screwed-on bridge.
SR Sears & Roebuck 1210 - Flat top (standard size) distributed by Sears & Roebuck - Acoustic flatop - Natural
Standard size all birch guitar. stenciled rosette around sound hole. Position markers at frets 5,7,9,12. Metal tailpiece and adjusting floating bridge with plastic saddle.
SR Sears & Roebuck 1212 - Flat top (grand concert) distributed by Sears & Roebuck (1969-1972) - Acoustic flatop - Natural
Birch guitar of the seventies - wears the Sears & Roebuck SR logo
SR Sears & Roebuck 1214 Natural - Flat top (grand concert) distributed by Sears & Roebuck - Acoustic flatop - Natural
Late model (ca 1972-1974). Faux spruce grained top. Laminated woods. Same model number was previously used for a sunburst all birch model.
SR Sears & Roebuck 1214 sunburst - Flat top (grand concert) distributed by Sears & Roebuck (1969-1970) - Acoustic flatop - Sunburst
Birch body, celluloid bound, pin type screwed bridge. 1214 model number was used later for a different, natural finished model.
SR Sears & Roebuck 1217 - Flat top (grand concert) distributed by Sears & Roebuck (1969-1971) - Acoustic flatop - Sunburst
Concert sized, with spruce top. Wears the SR logo, replace the previous Silvertone model 621. Later variation in natural finish and number 12172.
SR Sears & Roebuck 1221 - Jumbo (Sovereign) distributed by Sears & Roebuck (1970-1972) - Acoustic flatop - Sunburst
Seventies version of the H1260 Harmony Sovereign. Was Silvertone models 633 and 1220 before. (Distributed by Sears catalog but no longer wears the Silvertone brand). The logo on the head reads "SR".
Silvertone 1225 - 12 string distributed by Sears & Roebuck (1969) - Acoustic flatop 12 string - Sunburst
Compares to Harmony Stella H912-H913 - replaced later by model 1227
Silvertone 1226 - 12 string distributed by Sears & Roebuck (1969-1970) - Acoustic flatop 12 string - Natural
Compares to Harmony Stella H912-H913 - replaced later by model 1228
SR Sears & Roebuck 1227 - Sears 12 string distributed by Sears & Roebuck (1970-1972) - Acoustic flatop 12 string - Natural
All birch construction - 12 frets neck - Early model have a natural top, later have a "pumpkin-color fnish". Replaced the Silvertone 1226 - Compares to Harmony Stella H912 - The Harmony H1227 model is different (headstock, bridge) - It wears Sears and Roebuck brand, not Silvertone
SR Sears & Roebuck 1230 - Classic Nylon distributed by Sears & Roebuck - Acoustic flatop - Natural
It looks like, depending of the period, some SR 1230 models have either been made by Kay or by Harmony. The Kay made models have a more squared headstock shape.
SR Sears & Roebuck 1230 - Classic Nylon distributed by Sears & Roebuck (1969) - Acoustic flatop - Natural
It seems that most entry level 1230 models were made by Kay, but some samples were made by Harmony as well (identification : prefix 319 on the model number, printed on back of head).
Silvertone 1235 - Classic - nylon strings distributed by Sears & Roebuck (1968-1970) - Acoustic flatop
Description in Sears catalog says "thinnest possible spruce top and fan braced".
SR Sears & Roebuck 1294 - Flat top (standard size) distributed by Sears & Roebuck (1970-1972) - Acoustic flatop - Sunburst
distributed by Sears catalog, wears the Sears/Roebuck atomic logo. All birch body.
Silvertone 1317 - Electric archtop distributed by Sears & Roebuck (1947-1953) - Electric Archtop - Sunburst
Early electric archtop with one "P13" pickup. Tortoise overlay on headstock with green logo. Tortoise pickguard. Grand Auditorium size, compares to the Hamony H50. Early models have one part f-holes. Some are stamped H53 inside. Most have the simple P13 pickup with no polepieces, but one sample is known with the square polepieces as seen on Silvertone 1348 or Harmony H50.
Silvertone 1320 - Electric archtop distributed by Sears & Roebuck (1947-1955) - Electric Archtop - Sunburst
Silvertone version of the Harmony H51. Auditorium size (15"1/2)- about 3"1/2 body depth. They were stamped H54 inside. Spruce top, maple body, but it looks like some models were all birch... S1322 is a blonde version (available later). Early models have one part f-holes.
Silvertone 1322 - Electric archtop distributed by Sears & Roebuck (1952-1955) - Electric Archtop - Blonde
Blonde version of the Silvertone 1320. Auditorium size (15 1/2) - Spruce top, maple body. Finished in blonde with faux-flame. Compares to harmony H51. They were stamped H55 inside.
Silvertone 1326 - (Stratotone) one pickup distributed by Sears & Roebuck (1959) - Electric hollowbody - Shaded walnut
One pickup, short pickguard with an unusual jack location. Short production time in 1959. Later only two pickups version were proposed in the Sears catalog.
Silvertone 1327 - (Stratotone) two pickups distributed by Sears & Roebuck (1959) - Electric hollowbody - Shaded walnut
Two pickups. This model number was used only for about one year in 1959. Same guitar was renumbered 1421 next year.
Silvertone 1328 - Electric archtop distributed by Sears & Roebuck (1959) - Electric Archtop - Sunburst
All birch body construction with a DeArmond pickup, not far from a Harmony H39 Hollywood. 1959 Sears catalog says it has a spruce top and mahogany body (as the previous model 1324), but the sample pictured is identified as 1328 and built from birch...
Silvertone 1348 - Electric archtop distributed by Sears & Roebuck (1950-1952) - Electric Archtop - Sunburst
Compares to Harmony H50 but with special pickguard including the pickup - stamped H59 inside - Model 1350 is the blonde version
Silvertone 1350 - Electric archtop distributed by Sears & Roebuck (1948-1952) - Electric Archtop - Blonde
Compares to Harmony H50 but with special pickguard including the pickup - tortoise bindings on body - spruce top and maple body - blonde version, model 1348 sunburst version appears later. (Stamped H58 inside ?)
Silvertone 1352 - One pickup cutaway distributed by Sears & Roebuck (1954-1959) - Electric Archtop - Sunburst
"Grand Auditorium", 16"1/4, full body depth (3.5") with cutaway. One P13 pickup. The Sears catalogs mention "high fidelity pickup with individual magnetic adjustment for brilliance of each string", but in real life all models are found with the simple pickup, without polepieces. Some (most of them ?) are stamped H61 inside.
Silvertone 1384 - Two pickups cutaway distributed by Sears & Roebuck (1955-1957) - Electric Archtop - Black
First version of this black Silvertone, cousin of the H63 Harmony "Espanada". "Harmometal" aluminium bindings around body front and back. Check later models 1385 (without Harmometal) and 1427 (thinner body). The Sears catalog says "Select spruce top and back with mahogany sides".
Silvertone 1385 - Two pickups cutaway distributed by Sears & Roebuck (1957-1959) - Electric Archtop - Black
Silvertone version of the Harmony H63 "Espanada". Stamped H64 inside. Trussrod neck. Body depth 3.5" - Replaced in 1960 by 1427 with 2.75" body depth. Replace model 1384 wich had "Harmometal" aluminium bindings. The Sear catalog says "Select spruce top and back with mahogany sides"
Marwin 1408 - Triumph distributed by Tonk Brothers - Acoustic archtop - Natural Mahogany
Grand Auditorium size, all mahogany body.
Silvertone 1420 - (Stratotone) 2 pickups distributed by Sears & Roebuck (1961-1964) - Electric hollowbody - Black
2 pickups - like Harmony H46 - Check model 1421 in sunburst
Silvertone 1421 - (Stratotone) 2 pickups distributed by Sears & Roebuck (1960-1964) - Electric hollowbody - Shaded walnut
2 pickups - like Harmony H46. The same model was previously proposed as model 1327 in 1959. Check model 1420 in black.
Silvertone 1423 - (Stratotone Jupiter) distributed by Sears & Roebuck (1959-1964) - Electric hollowbody - black finish speckled with gold
2 pickups with blender pot - "Stratotone Jupiter" are names used for the Harmony model, never used for this Silvertone equivalent.
Silvertone 1427 - Two pickups cutaway distributed by Sears & Roebuck (1959-1961) - Electric Archtop - Black
2 "P13" pickups - 2.75" body depth - Trussrod neck. Compares to Harmony Espanada H63 - H62 - (replace Sears model number 1385L which had 3.5" body depth). Sears catalog says "Select spruce top and back, with maple sides".
Silvertone 1429 - 3 pickups distributed by Sears & Roebuck (1959-1964) - Electric hollowbody - Sunburst
3 pickups - Like H75 Harmony, but... single cutaway, different pickups, neck without inlay on 1st fret, headstock without tortoise overlay.
Nobility 1436 distributed by P'Mico - Acoustic archtop - Natural
All mahogany. One sample known with 4576 1436 numbers stamped inside. Looks to be based on the Patrician line of mahogany guitars.
Silvertone 1439 - (Rocket) distributed by Sears & Roebuck (1966-1967) - Electric hollowbody - sunburst
2 pickups and vibrato - Similar to Harmony Rocket H56, but with bound neck. It looks like this Silvertone version was produced only for one year, so it's not common.
Silvertone 1446 distributed by Sears & Roebuck (1961-1967) - Electric hollowbody - Black
This model use Gibson pickups never used on any other Harmony, so there is no Harmony equivalent model. With Bigsby vibrato. Used by Hubert Sumlin (with Howlin Wolf) and later by Chris Isaac (his first album was named "Silvertone"). Early Sears catalogs (61-62) show the guitar with different pickups (P13) and pickup's rings, but no sample is found today with these, so we can suppose they just used a touched-up picture before completing the guitar's design. Some samples are reported with double cutaway.
Paramount 1447 - Challenger - Acoustic archtop - Natural
Silvertone 1453 - (Rebel) distributed by Sears & Roebuck (1968) - Electric hollowbody - Redburst
Compares to Harmony Rebel H82, but has conventional rotative potentiometers instead of linear sliders. Short production time.
Silvertone 1454 - 3 pickups distributed by Sears & Roebuck (1963-1969) - Electric hollowbody - Shaded cherry red
3 pickups with Bigsby vibrato. Replaced the 1429 sunburst model. Can be compared to Harmony H78, but single cutaway, different pickups, neck without inlay on 1st fret, headstock without tortoise overlay. In the 1967 catalog the model is shown with double cutaway, and renumbered 14541. From 1969 the double cutaway is numbered 1485.
Gretsch 1456 - 1456 (1945) - Acoustic archtop - Sunburst
Silvertone 1476 - (Bobkat) distributed by Sears & Roebuck (1964) - Electric solid body - black
2 pickups, vibrato on late models - 1476 is the black version, 1477 the sunburst version - Like H15 or H15V Harmony
Silvertone 1477 - (Bobkat) distributed by Sears & Roebuck (1964-1967) - Electric solid body - sunburst
2 pickups, vibrato on late models - 1476 is the black version, 1477 the sunburst version. Vibrato tailpiece appears in 1967, model was then renumbered 14771.
Silvertone 1477-2 - (Bobkat) color pickups distributed by Sears & Roebuck (1967-1968) - Electric solid body - Red sunburst
Late version of the 1477 with coloured pickups. 2 pickups and vibrato - Like H15V Harmony - pickups with coloured foil and large black knobs, metal roller bridge (made in japan). Sears catalog shows model 14772 in red sunburst and 14773 in yellow sunburst (pickups coloured accordingly). But later (?) models are stamped 14798 and 14799 behind the headstock (see photos).
Silvertone 1478 - (Silhouette) distributed by Sears & Roebuck (1964-1967) - Electric solid body - Red sunburst
This popular model is often compared to Harmony H19, but it has many differences : different vibrato, pickups, bridge, pickguard shape...
Silvertone 1485 - 3 pickups distributed by Sears & Roebuck (1968-1970) - Electric hollowbody - Shaded cherry red
Double cutaway 3 pickups with Bigsby vibrato. Replaced the 1454 single cutaway model. Can be compared to Harmony H78, but different pickups, neck without inlay on 1st fret. No more available in 1970 Sears catalog.
Silvertone 1488 - (Silhouette) 3 pickups distributed by Sears & Roebuck (1965-1968) - Electric solid body - Cherry red or metallic blue
No similar model with 3 pickups was sold under Harmony name (they also made a 3 pickups Holiday, but similar to Bobkat, smaller body). Late versions had a metallic japanese roller bridge and a mute. Last version was proposed with coloured pickups, different knobs and an updated two parts pickguard. See similar model 1488-1 in metallic blue.
Supro (Valco) 1550A - Ranchero (1951-1960) - Electric Archtop - Sunburst
Supro neck and electronics, Harmony body (stamped H950 inside, so the body should be the same as the acoustic Harmony H950 Monterey Leader)
Supro (Valco) 1580A - Coronado (thin line) (1960) - Electric hollowbody - Natural
The body only was made by Harmony. Similar to the thin line H70 Meteor body, but closed hollow body without any f-holes (The year before a different Coronado model was proposed, with full depth body, see model 1590A).
17620 images found - first 100 below - Click to go to model's page 
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